عنوان المقال عربي
جماليات التصوير الفوتوغرافي في الشعر الحر العراقي المعاصر الذي يمثل العنف (2003-2014)
Abstract
Although the phenomenon of aesthetic imagery in poetry is one of the most important phenomena that work to cohese the poetic text, through aesthetic employment that motivates the recipient to emphasize the texts that are superior to others in terms of the aesthetic dimension that is in harmony with what the astute recipient aspires to from texts that are distinguished by verbal sweetness, sweetness of musical tone, and solidity of the words that the poet chooses; As these words are more significant than others in clarifying the poet’s intention, this study has dealt with the aesthetics of imagery through intertextuality and the extent of the text’s interaction with Qur’anic and poetic texts that approached in their interrelational meaning the violence that the country is witnessing. Likewise, the aesthetics of imagery through symbolism came to suggest the violence that is taking place, as the symbol witnessed diversity in aesthetic employment through its diversity from a historical symbol to a Udine poetic symbol. Finally, the pictorial paradox in contemporary Iraqi free verse poetry merged with the intensity of the contradiction that the Iraqi citizen lives while he is groaning under the burden of violence through sarcasm that is not playful, but rather black sarcasm. All of this was represented in the poetry collections of contemporary Iraqi poets after 2003.
Keywords
Aesthetics, photography, Iraqi free verse poetry
Recommended Citation
Al-Jubouri, Mohammed Fleih Hassan and Al-Barqi, Ali Hussein Anshenish
(2025)
"The aesthetics of photography in contemporary Iraqi free verse poetry representing violence (2003-2014),"
Uruk for Humanities: Vol. 9:
Iss.
2, Article 9.
Available at:
https://muthuruk.mu.edu.iq/journal/vol9/iss2/9
