عنوان المقال عربي
الدوام في رسومات يحيى بن محمود الواسطي
Abstract
Arts, in all their forms and aesthetic formations, are among the most important languages of expression and understanding among peoples with all their tendencies, cognitive dimensions, and differences, from the most ancient times to the present day. This was one of the foundations of the rise of human civilizations, and it represented intellectual and aesthetic creativity, a religious and ideological trend practiced by all peoples on the earth. Drawing, by all standards, is among the arts that reflect human customs and traditions. The ancient heritage of peoples is not merely a silent metaphor, but rather it must be dealt with with a comprehensive intuitive vision, because its components and formative vocabulary did not come from nothing, given that the basis of the entire process is nothing but the establishment of order, and thus it is a process of organization. It is important to point out that the basic rule upon which the universe was built is nothing but an integrated system referred to in the Holy Quran in the dialectic of clarification, and establishing the reality of balance and order that governs the movement of apparent opposites, as in the Almighty's saying... "It is not for the sun to overtake the moon, nor does the night outstrip the day. Each, in an orbit, floats." (1) The manifestations of this system appear in Islamic art and its (symbolic) connotations, which are the roots of Arab thought, but they are mixed with (mental, metaphysical and spiritual connotations that...)
Keywords
drawings, permanence, drawings, Yahya bin Mahmoud Al-Wasiti
Recommended Citation
Nagi, Shimaa Halim
(2025)
"Permanence in the drawings of Yahya bin Mahmoud Al-Wasiti,"
Uruk for Humanities: Vol. 9:
Iss.
1, Article 6.
Available at:
https://muthuruk.mu.edu.iq/journal/vol9/iss1/6
