عنوان المقال عربي
مدرس مساعد للفنون الرسومية العربية المعاصرة
Abstract
The art of photography among the Arabs reached its peak in the Islamic era through drawings and arts that illustrated contemporary Arab works, which were distinguished in photography and with great effort and diversity that touched the thought of Muslim artists. Multiple eras, especially in Mesopotamia, Arabia and the Levant. Based on that, this study comes tagged (The Impact of Arab-Islamic Painting on Contemporary Iraqi Graphic Art). To clarify the subject through four chapters, the first chapter included the research problem and the need for it. The problem was identified by the following question: (Can we embody Arab-Islamic photography through graphic art). It also included the importance of the research, its objectives, and the limits of the research, as well as defining terms. As for the second chapter, “Theoretical Framework”, it included two topics: The first topic: The philosophy of the Arab-Islamic image. The second topic: Islamic visual photography and contemporary graphics technology. And then the indicators of the theoretical framework, Chapter Three: It includes the research procedures and the sample. And the fourth chapter: I dealt with the results of the research, conclusions, recommendations, and then suggestions. At the end of the research: the sources
Keywords
Arab-Islamic picture, photography, graphic art, contemporary
Recommended Citation
Nuaimi, Ahmed Tahseen Al
(2025)
"Contemporary Arab Graphic Arts assistant teacher,"
Uruk for Humanities: Vol. 15:
Iss.
2, Article 18.
Available at:
https://muthuruk.mu.edu.iq/journal/vol15/iss2/18
