عنوان المقال عربي
مركزية الآخر وهامش الذات: المرأة في عصر المرابطين والموحدين نموذجا
Abstract
The research presented to the central other and took the woman as an example in explaining the man’s culture / the dominant culture in the textual study of poetic imagination, and from there, it became clear that her body is a poetic body that represents one side, even if it is essential in her existence, and the image of the woman in the Andalusian Other in these two periods has two parts: The image of a woman is a person who was known as a free woman, and was embodied in the mother, wife, sister, daughter, and beloved. The other is the image of the female woman who was known as the slave and the slave woman, namely the presence of poetic and textual, and the values that are given to her by the ego textual and existential values that find their position and acceptability in Arab culture, and what we find in Arab poetry is an expression of sensual words that differs from those sensual words and adventures that are outside of poetry in The external reality of the poet, and the use of body messages and body culture.
Keywords
Almoravid, Almohad eras, women
Recommended Citation
Al-Tamimi, Shaker Hadi
(2025)
"The centrality of the other and the marginality of the self: women in the eras of the Almoravids and Almohads as a model,"
Uruk for Humanities: Vol. 13:
Iss.
2, Article 22.
Available at:
https://muthuruk.mu.edu.iq/journal/vol13/iss2/22
