عنوان المقال عربي
الكتابة وأثرها على البنية التكوينية للفن من العصر الحجري إلى نهاية العصر الأكادي
Abstract
The interaction of man with his environment and surrounding it resulted in material ideas, the dimensions of their ability to move through time and on the basis of human ideas, the arts became two dimensions that were a three-dimensional drawing that was sculpted in this case is unable to transform the entire intellectual energy into something material and accordingly The person who developed the arts, especially the drawing he chose to write, and made him able to transform the entire intellectual energy into something material. The first steps he took to achieve his goal were that he began to express in material form all the moral things and actions associated with that image. Great for the fact that codification in its early beginnings was visual, it required drawing a picture of the objects simulated for its natural shape and its real position. The head word is written in human form in the layout of a side image, but with the development of the cuneiform line the signs were managed at an angle of 90 degrees, that is, the drawing instead of standing has become horizontally spread on its back. To the right of the writing direction also instead of the lines are the fields are serialized vertically horizontal lines are moving from left to right, then changes to the picture writing and moved to another stage, reducing the lines of the composition of their drawings in response to practical need and save time and so on Keep away from the detailed drawings and curved lines in which the drawings are closer to the real and became symbolic writing and cross-section consists of forms similar to be geometric and take the scribes are interested in the sounds of cuneiform signs without the Meanings expressed by the images in the original to write by the votes of their words such as the word Hayat in Sumerian language (ti) is written in the image of the arrow that speaks the language itself (ti). This means that the Sumerians took from the image of the arrow sound only, but this did not free the cuneiform writing of its symbolic nature, but remained each cuneiform sign expressing every single word but it was entering the writing stage Cross-sectional
Keywords
Akkadian period, Writing, the Stone Age
Recommended Citation
Issa, Shaima Youssef and Muhan, Mohammad Sayyab
(2025)
"Writing and its impact on the compositional structure of art from the Stone Age to the end of the Akkadian era,"
Uruk for Humanities: Vol. 12:
Iss.
4, Article 19.
Available at:
https://muthuruk.mu.edu.iq/journal/vol12/iss4/19
